BigJerr – Cinematic Synthesis Digital Sound Creation

This course can be delivered immediately Cinematic Synthesis: Digital Sound Creation This will allow you to go from being confused by synths to being able create any sound you like

BigJerr – Cinematic Synthesis Digital Sound Creation

You are done with the days of sifting through synth presets in a daze.

Step into the realm of custom cinematic synthesis.

Cinematic Synthesis: Digital Sound Creation You will go from being baffled by synths to being able create any sound you want with any synthesizer.

This course is not the standard EDM synth course. Instead, through this 8 hour video course, we’re gonna look at how to create the type of badass, monumental synth sounds that would make your tracks feel home in epic scores for games like Call Of Duty and Battlefield or movies like Dunkirk and Blade Runner 2049 – completely from scratch.

 WHAT THE STUDENTS SAY :

“I’ve been a complete novice to synths all my life and was dependent on luck and presets to get the sounds I needed for my compositions. Jerry helped me see how the pieces fit together and synths became a tool rather than an obstacle. It opened up a new world of possibilities. First time in my career and life, I can open a synth and create killer sounds from scratch.

Here are 4 of the tracks I created during the course. There are a dark cinematic drone and an ambient pad as well as a deep, slow pulse bass. The synths are the only ones that have been processed.

– Arn andersson (Co-Founder of Evenant, Composer).

“Coming from a more traditional orchestration and composition background, this course was great for me to help me dive deeper into to the world of cinematic synthesis, expanding my sonic palette and opening tons of new opportunities. Jerry has done a great job in making even the most complex concepts simple, and makes it extremely easy to follow along!”

Kenny Mac is a composer for film and video games

“Absolutely loving the new synthesis course – finally ‘getting’ it. Watched so many vids before and never really grasped it other than the terminology, but Big Jerr’s approach is just excellent, he’s a great teacher. Well done guys, great course – already thinking about how I can apply these skills to other synths I have, like Omnisphere. Time to stop being such a preset junkie and cooking my own sounds!”

– Andrew Skipper, Composer

Presets have been a part of my life for sound design. It’s now easy to design your own cinematic trailer sound design.

Jerry made it easy to understand the entire process, and helped me to comprehend everything, from simple to complex sound design concepts. Here is a short trailer cue with my own sound design. This was made the very first day I attended the course.

– Sham Stain, Trailer Music Composer From End Of Silence

If you are interested in this course, please let us know.

Open synths like Massive and Serum just to browse through presets for ages, but settling on something that’s not even close to what you had in mind.

Feel overwhelmed by the complex features, options and layouts of all the synths.

You may find presets you like, but aren’t sure how to customize them to your liking.

Struggle to mix your synth sounds into orchestral, or cinematic cues so they blend seamlessly

Get ed now!

Download immediately BigJerr – Cinematic Synthesis Digital Sound Creation

COURSE MODULES

Learn the basics

We’ll by looking at the main components and features of modern synths, like oscillators, filters, envelopes and LFOs – and how to use them to create sounds like plucks, basses, drones, braams, risers, pulses, arpeggiated textures and much more. 100% of an initialized patch.

These modules will allow you to create any type of sound without the need for presets.

Diversifying Deeper

Once you have mastered the basics, you will learn advanced techniques such as FM synthesis using custom wavetables or funky modulation techniques. This will allow for truly unique sounds and make your tracks stand out.

Writing a Hybrid Track

But I won’t leave you hanging!
Once you feel confident creating different badass sounds, I will show you how to combine your new sounds into a great hybrid track.

Mixing and mastering

We will end the course with some great tips and tricks on mixing and mastering hybrid cinematic tracks. You’ll be left with a track with your own synth sounds. All from scratch.

Take a look inside.

BONUS RESERVES

Presets and samples made by BigJerrStems and MIDI are available for the course track.
Course Curriculum

Introduction

Welcoming to the Cinematic Synthesis course! (2:47)

What to Expect

Resources

Glossary

Course Files (Presets MIDI, Samples).

Recommended plugins

Different types of traditional synthesizers

10 Tips For Creative Synthesizing

Module 1: Basics

Learning the Basics: Introduction (15:00)

The Requirement Mindset (6.16)

Section Oscillator (10:57).

Modulation Section (15.11).

The Filter Section (9.31).

FX Section (13.11)

Designing a Massive Bass (22:04).

Recap Quiz

Exercise 1: Get familiar with your Synth

Module 2: Building Sounds

Introduction

Making a drone massive (13.53)

Make a drone in serum with FM Synthesis (15:54)

Making a Braam in Serum (20:44)

Making a Braam Massive (15.34)

Making a Pulse bass: “Trade Runner” (Inspired by The Dark Knight & Blade Runner) (13:53)

Making an Atmospheric, Eerie Lead pad (14:15).

Making a Retro Pluck “Stranger Pings” (11:09)

Making an Atmospheric Sush Pad (13.44)

Making a Dirty Electronic Pulse in Serum (17.03)

Making a Pulse Bass In Massive (11.39)

Making a Super Sawchord Synth (9.59)

Making a Dark Mood pad (9:33)

Making a Dirty Melody Lean Pad (9.23)

Making a Customizable Riser with Serum (15.51)

Exercise #2: Creating A Set Of Patches

Module 3: Intermediate Sound Design

FM Synthesis: Basses (11.46)

Arps – Using the Stepper in Massive (11:20).

Arpeggiation & FM Synthesis in Serum (18:01)

Exercise 3: Arpeggiate

Module 4: Making a Track

Introduction to Creating a Cue (3:36).

Creating A Cue: Importing & Organizing (9:29)

Creating a Cue: An Arrangement (11.43)

Part 1 of Creating a Cue by Using Our Sets – Part 2 (18:23).

Part 2 of Creating a Cue – Using Our Presets (10.07)

Creating A Cue: Freeze & Flatten (20:57)

Exercise #4: Create a short track with synths

Mixing and mastering

Mixing and Mastering: Introduction

Mixing the Cue: Part 1 (23.12)

Mixing the Cue: Using OTT (19.49)

Mixing the Cue – Part 2 (22.03)

Mixing The Cue – Part 3 (19.34).

Mixing the Cue: Returns and Groups (10:42).

Mixing Recap

Mastering the Cue (15.02)

Mastering Recap

Exercise #5: Mixing Your Track

Last words

Send us your work!

Contact Us for Feedback

Meet Your Instructor

BigJerr
BigJerr

Born in Philadelphia, Jerry DiPhillippo is currently living in Los Angeles. BigJerrHe quickly established himself as a leader in the Bass Music Scene. Ableton Certified Instructor, Icon Collective finger drummer, father of the original and innovative brand concept, SCARlit.

Frequently Asked Question

Get your instant download BigJerr – Cinematic Synthesis Digital Sound Creation

What time does the course and end?
It is a course that never ends. It is self-evident.-You can take a self-paced online course.
What length of access do I have to the course?
How does lifetime access sound to you? Once you enroll, you will have unlimited access to the course on all your devices.
What happens if I’m unhappy with the course?
We don’t want you to be disappointed! We will refund your entire purchase if you are not satisfied within the first 21 days.
What music theory do I need?
You don’t need to be an expert in music theory. The course is practical and focuses on digital tools. It is recommended that you have a basic knowledge of music basics such as chords, notes, and other musical concepts.
Is the course also available online?
The videos cannot be downloaded. However, they are always accessible within your account and can be viewed from any device at any time.
Which synths will I need to complete this course?
The course will be primarily focused on Serum and Massive synths. The recommended tool is Serum. The principles of these synths can be applied to almost any synth.

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Here’s what you’ll get in BigJerr – Cinematic Synthesis Digital Sound Creation