Brett Manning – Singing Success 360

 

SS 360 It is a great tool for both novice and seasoned singers. The secrets of this unique method can help you get rid of years of vocal frustration. This is the end result.-Breaking the method Singing success.

Brett Manning – Singing Success 360

Singing Success 360 This is a complete vocal training program that will help you to strengthen your voice and make it sing.

SS 360 The lowest vocal register, or the chest voice, is used. Next, we move to the head voice. Finally, we integrate both the chest and the head voices with the most commercially appealing voice, the mixed voice. Use the “speaking” While simultaneously disengaging the muscles, “swallowing” Our seven techniques to induce relaxation, range, and tonal brilliance are sure to improve your tactical progress. SS 360 This method produces the most vocal ease of any other methodology.

SS 360 The style is the final focus. Beginning with a variety of vocal drills, licks, and runs, the first two lessons drive the singer to apply its vocal principles to musical styles as various as the blues, gospel, R&B, country and pop. SS 360 Ends uses the same vocal principles for improvisation, but allows the voice to spontaneously explore new possibilities. It is the most liberating part in the whole program for the singer who makes it this far.

SS 360 It is a great tool for both novice and seasoned singers. The secrets of this unique method can help you get rid of years of vocal frustration. This is the end result.-Breaking the method Singing success.

Download immediately Brett Manning – Singing Success 360

Technique
Discovering Your Voice
The High Notes of Music
Learn how to harness your vocal power
Learn how to harness your vocal power
The Vocal Freedom Project
Discovering Melody
Discovering mastery

Style
Discovering Basic Licks, Trills, & Runs
Discovering Advanced Licks, Trills, & Runs
Finding Your Sound
Discovering Stilistic Subtleties
Discovering new musical genres
Discovering Improvisation
The X Factor: Discovering It

Your instructor

Brett Manning é um dos treinadores vocais mais procurados da indústria da música. Brett teve o privilégio de trabalhar com muitos dos principais artistas da atualidade como: Leona Lewis, Hayley Williams, Jimmy Gnecco, Taylor Swift, John Michael Montgomery, Luke Bryan, Lauren Mayberry (CHVRCHES), Keith Urban, Mikky Ekko, Miley Cyrus e a lista continua. Brett também trabalhou com os elencos de produções da Broadway de Les Miserables e Jekyll e Hyde, bem como com a equipa da Broadway de Aida de Elton John. Brett é conhecido pelas suas demonstrações divertidas e encorajadoras, mostrando como até os novos cantores podem experimentar uma melhoria imediata no alcance, na facilidade e na qualidade de sua voz. Apaixonado por ensinar cantores de todos os tipos, independentemente de seu nível de habilidade, localização geográfica ou aspirações profissionais, Brett criou uma série de programas de treino audio para disponibilizar os seus incríveis métodos de ensino para todos os cantores, de qualquer lugar do mundo. O método Singing Success ajudou centenas de milhares de cantores em mais de 164 países ao redor do mundo.

Download immediately Brett Manning – Singing Success 360

Course Curriculum

Intro to Technique: Technique Defined

1-01 Introduction and Objectives

1-02 Vocal Registers_v2

1-Three More Thoughts

1-04 Terminology Overview

1-05 Singing

1-06 Vocal Cords

1-07 Resonance

1-08 Vocal Register

1-09 Chest Voice

1-10 Head Voice

1-11 Falsetto

1-12 Vocal Fry

1-13 Whistle Register

1-14 Mixed or Middle Voice

1-15 Whisper Register

1-16 Conclusion on Register

1-17 Break Disconnect Crack Turn

1-18 Bridge Passage Area

1-19 Connection

1-20 Larynx Voice Box

1-21 Adam’s Apple

1-22 Vibrato

1-23 Staccato

1-24 Glottal Stroke

1-25 Legato

1-26 Delineation Marcato

1-27 Crescendo Dimenuendo

1-28 Ways This Technique Works

Technique 1 – Discovering Your Voice

2-01 How to Use This Program

2-02 Technique 1 Objectives 1

2-03 Ex 1-Humming 5 Tone Scale

2-04 Ex 1- Humming 5 Tone Scale Male Full Demo Affirmation

2-05 Ex 1-Humming 5 Tone Male Full Demo Affirmation

2-06 Ex 2 Lip Rolls 5 Tone Skale

2-07 Ex 2 -Lip Rolls 5 Tone Scale Male Full Demo Affirmation

2-08 Ex 2 Lip Rolls 5 Tones Scale Female Full Demo

2-09 Ex 3-LipRolls Octave – Arpeggio

2-10 Ex 3- Lip Rolls Octave Arpeggio Male Full Demo Affirmation

2-11 Ex 3-Lip Rolls Octave Female Full Demo Affirmation

2-12 Ex 4-Tongue Trill 9 Notes Scale

2-13 Ex 4-Tongue Trill 9 Male Note Scale Full Demo Affirmation

2-14 Ex 4-Tongue Trill 9 Notes Scale Female Full Demo

2-15 Ex 5- Goo Goo Goo On A Long Scale

2-16 Ex 5- Goo Goo Goo Long Scale Male Full Demo Affirmation

2-17 Ex 5- Goo Goo Goo Female Full Demo Affirmation

2-18 Ex 6- Nay Nay Nay Octe Arpeggio

2-19 Ex 6- Nay Nay Nay Octave Arpeggio Male Full Demo Affirmation

2-20 Ex 6 Nay Nay Nay Ov Female Full Demo Affirmation

2-21 Ex 7- Warmdown Descending Slide

2-22 Conclusion 1

Technique 2 – Discovering High Notes

3-01 Introduction & Objectives 1

3-02 Ex 1 Humming 5 Tone Minor Scale 1

3-03 Ex 1 Humming 5 Tone Minor Scale Male Full Demo Affirmation

3-04 Ex 1 Humming 5 Toe Minor Scale Female Full Demo

3-05 Ex2 Lip Roll Octave Arpeggio

3-06 Ex 2 Lip Roll Ovale Arpeggio Male Complete Demo Affirmation

3-07 Ex 2 Full Demo Affirmation

3-08 Ex 3 Closed Sound Mouth_B_Sound

3-09 Ex 3 Closed Male Mouth_B_Sound Full Demo Affirmation

3-10 Ex 3 Closed Female Mouth_B_Sound Full Demo Affirmation

3-11 Ex4 Lip Rolls 1.5 Octave Skale

3-12 Ex4 Lip Rolls 1.5 Octave Male Scale Full Demo Affirmation

3-13 Ex4 Lip Rolls 1.5 Octave Male Full Demo Affirmation

3-14 Ex 5 Trumpet Head Scale 1

3-15 Ex 5 Trumpet Head Scale Male Full Demo Affirmation

3-16 Ex 5 Trumpet Head Scale Female Full Demo Affirmation

3-17 Intermission…

3-18 Ex 6 Nay Nay Nay Long Scale 1

3-19 Ex 6 Nay Nay Nay Long Scale Male Full Demo Affirmation

3-20 Ex 6 Naynay Long Scale Female Full Affirmation

3-21 Ex 7 Mum Mum Mum Scale 1

3-22 Ex 7 Mum Mum Mum Scale Male Full Demo Affirmation

3-23 Ex 7 Mum Mum Mother Scale Female Full Demo Affirmation

3-24 Ex 8 Warmdown 1

3-25 Conclusion 1

Technique 3 – Discovering Vocal Power

4-01 Introduction & Objectives 1

4-02 Ex1-Hum into Vocal Fry Descending Scale

4-03 Ex1-Hum Into Vocal Fry Descending Male Full Demo Affirmation

4-04 Ex1-Hum Into Vocal Fry Descending S Scale Female Full Demo

4-05 Ex2-Low Voice-OhYeah

4-06 Ex3-Oh Vocal Fry to Your Chest Scale

4-07 Ex3-Oh Vocal Fry to Chest Male Full Demo Affirmation

4-08 Ex3-Oh Vocal Fry To Chest Scale Female Full Demo

4-09 Ex4-Lip Rolls Slow Tempo Rossini Scale

4-10 Ex4-Lip Rolls Slow Tempo Rossini Scale Male Full Demo Affirmation

4-11 Ex4-Lip Rolls Slow Tempo Rossini Scale Female Full Demo Affirmation

4-12 Ex5-No No No Rossini Scale

4-13 Ex5-No No No Rossini Scale Male Full Demo Affirmation

4-14 Ex5-No No No Rossini Scale Female Full Demo Affirmation

4-15 Ex6-Gug Gug Gug Scale

4-16 Ex6-Gug Gug Gug Ovale Scale Male Full Demo

4-17 Ex6-Gug Gug Gug Scale Female Full Demo Affirmation

4-18 Ex7-Bub Bub Bub Scale

4-19 Ex7-Bub Bub Bub Scale Male Full Demo Affirmation

4-20 Ex7-Bub Bub Bubb Scale Female Full Demo Affirmation

4-21 Ex8-Warmdown

4-22 Ex8-Warmdown Scale Male Demo Affirmation

4-23 Ex8-Warmdown Scale Female Full Demo

4-24 Conclusion 1

Technique 4: Discovering the Light Voice

5-01 Introduction & Objectives 1

5-02 Ex 1 Relaxed Descending Hee 1

5-03 Ex 2 Head Voice Down 1

5-04 Ex 2 Pulling Headvoice Down Male Full Demo Affirmation

5-05 Ex 2 Female Full Demo Affirmation

5-06 Ex 3 Lip Rollers on a Mixed Octet Scale 1

5-07 Ex 3 Lip rolls on a Mixed Oval Scale Male Full Demo Affirmation

5-08 Ex 3 Lip Rollers on a Mixed Octee Scale Female Full Demo

5-09 Ex 4 Wee Wee Wee Scale Head Rossini

5-10 Ex 4 Wee Hee Wee Head Rossini Male Full Demo Affirmation

5-11 Ex 4 Wee Shee Wee Head Rossini Female Full Demo Affirmation

5-12 Ex 5 Light Mix with _ng_ sound Octave Slides

5-13 Ex5 Light Mix _ng_ Sound Octave Slide Male Full Demo

5-14 Ex5 Light Mix _ng_ sound Ov Slides Female Full Demo

5-15 Ex 6 Goo Nu Descending Rosini Scale 1

5-16 Ex 6 Goo Nu Descending Rosini Scale Male Full Demo Affirmation

5-17 Ex 6 Goo Nu Descending Rosini Scale Female Full Demo Affirmation

5-18 Ex 7 Mum Mum Mum Descending Scale

5-19 Ex 7 Mum Mum Mum Descending Scale Male Full Demo Affirmation

5-20 Ex 7 Mum Mum Descending Slope Female Full Demo Affirmation

5-21 Ex 8 Warmdown & Conclusion 1

Technique 5 – Discovering Vocal Freedom

6-01 Introduction and Objective 1.

6-02 Ex 1 Voc Fry ng 9 Notes Scale

6-03 Ex 1 Volc Fryng 9 Not Scale Male Complete Demo Affirmation

6-04 Ex 1 Voc ng 9 Note Skale Female Full Demo Affirmation

6-Ex 2 Lip Roll Trumpet Rossini Scale 1

6-06 Ex 2 Lip-Roll Trumpet Rossini Male Scale Full Demo Affirmation

6-07 Ex 2 Full Demo of Female Lip Roll Trumpet Rosini Scale, Rossini Scale

6-08 Ex 3 Nuuh Octave Scale 1.

6-09 Ex 3 Nu Nuuh Scale Male Full Demo

6-10 Ex 3 Nuuh Octave Female Full Demo Affirmation

6-11 Ex 4 Staccato Waltz Edge Rossini Scale

6-12 Ex 4 Staccato Waltz Edge Rossini Scale Male Full Demo Affirmation

6-13 Ex 4 Staccato Waltz Edge Rossini Scale Female Full Demo Affirmation

6-14 Ex 5 Staccato then Legato Waltz edge Rossini Double-Scale

6-15 Ex 5 Staccato then legato Waltz Edge Rossini Male Double Scale Full Demo Affirmation

6-16 Ex 5 Staccato then legato Waltz Edge Rossini Female Double Scale Full Demo Affirmation

6-17 Ex 6 MM Muh Octave Scale

6-18 Ex 6Mmm Muh Octave Male Full Demo

6-19 Ex 6Mmm Muh Octave Female Scale Full Demo Affirmation

6-20 Ex 7 Tongue Out Scale 1

6-21 Ex 7 with Tongue Out Male Full Demo Affirmation

6-22 Ex 7 Aah Female Tongue Out Scale Full Demo Affirmation

6-23 Ex 8 Warmdown Hum 1

6-24 Conclusion 1

Technique 6 – Discovering Melody

7-01 Introduction and Objectives

7-02 Ex 1 Lip Rolls National Anthem

7-03 Ex 1 Lip Rolls Male Version National Anthem

7-04 Ex 1 Lip Rollers National Anthem Female Version

7-05 Ex2 Melodic Scale oo ee in the Head Voice

7-06 Ex 2 Melodic Scale oo & ee in Head Vocal Male Full Demo Affirmation

7-07 Ex 2 Melodic Scale oo/ee in Headvoice Female Full Demo Affirmation

7-08 Ex 3 Nuh Buh Double Rossini Scale

7-09 Ex 3 Nuh Buh Double Rossini Scale Male Full Demo Affirmation

7-10 Ex 3 Nuh Buh Double Rossini Scale Female Full Demo Affirmation

7-11 Ex 4 My Girl

7-12 Ex 4 My Girl Male Full Demo Affirmation

7-13 Ex4 My Girl Female Full Demo

7-14 Ex 5 We Will Rock You

7-15 Ex 5. We Will Rock You Male. Full Demo Affirmation

7-16 Ex 5 We Will Rock you Female Full Demo Affirmation

7-17 Ex 6 I Am Not Alone

7-18 Ex 6 I am Not Alone Male Full Demo Affirmation

7-19 Ex 6 I am Not Alone Female Full Demo Affirmation

7-20 Ex 7 Melodic Warmdown

7-21 Conclusion

Technique 7 – Discovering Mastery

8-01 Introduction and Objectives

8-02 Ex 1 Tongue Trills Rossini Scope or Lip Rolls

8-03 Ex 2 Tongue Trills or Lip Rolls on a Mixed Octee Scale

8-04 Ex 3 Lip Rolls and Tongue Trills on an 3 Octave Scale

8-05 Ex4 Tongue Trills and Lip Rolls on Double Mixed Octave Scale

8-06 Ex 4 Lip rolls or Tongue Trills, on a Double Mixed Octee Scale Male Full Demo

8-07 Ex 4 Tongue Trills or Lip Rolls on a Double-Mixed Octave Scale Female Full Demo

8-08 Ex 5 Sustained from oo to arpeggio

8-09 Ex 6 Sustained Ee to ih Arpeggio

8-10 Ex 7 Sustained from oo to Arpeggio

8-11 Ex 8 Sustained Ee to Ay Arpeggio

8-12 Ex 8 Your turn Explanation

8-13 Ex 5,6,7, and 8 Vowel Patterns Male Edition Piano Scale

8-14 Ex 5,6,7, and 8 Vowel patterns Female Version Piano Scale

8-15 Ex 9 Vowel Patterns Opening from Narrow to Broad

8-16 Ex 9 Vowels Patterns 1,2,3,4 Male Version Piano Scale

8-17 Ex 9 Vowels Patterns 1,2,3,4 Female Version Piano Scale

8-18 Congratulations

Style Defined

1-01 Introduction and Definition of Style

1-02 Trills Licks & Runs

1-03 Pronunciation

1-04 Attitude and Vibe

1-05 Scoops and Slides

1-06 Note Bend or Notice Bounce

1-07 Vowel Bend

1-08 Falsetto

1-09 Classical Genres

1-10 Classical Genre Male Demo

1-11 Classical Genres Female Demo

1-12 Musical Theater Genres

1-13 Male Demonstrations of Musical Theater Genres

1-14 Female Musical Theater Genre Demo

1-15 Folk Genres

1-16 Folk Genre Male Demo

1-17 Folk Genre Female Demo

1-18 Pop Genres

1-19 Pop Genre Male Demo

1-20 Female Pop Genre Demo

1-21 Country Genres

1-22 Country Genres Male Demo

1-23 Country Genres of Female Demo

1-24 Blues Genre

1-25 Blues Genre Male Demo

1-26 Blues Genre Female Demo

1-27 Jazz Genre

1-28 Jazz Genre Male Demo

1-29 Jazz Genre Female Demo

1-30 Gospel Genre

1-31 Gospel Genre Male Demo

1-32 Gospel Genres Female Demo

1-33 R&B Genre

1-34 R&B Genre Male Demo

1-35 R&B Genre Female Demo

1-36 Rock Genres

1-37 Rock Genre Male Demo

1-38 Rock Genres Female Demo

1-39 Conclusion

Style 1 – Discovering Basic Licks, Trills, & Runs

2-01 Introduction & Objectives 2

2-02 Ex 1 Note Description Up a Whole 1

2-03 Ex 1 Delineation up a Whole Step Male Demo

2-04 Ex 1 Note Definition Up a Whole-Step Female Full Demo

2-05 Ex2 Note Delineation Down to a Whole First Step

2-06 Ex 2 Men Full Demo

2-07 Ex 2 Note Delineation Down A Whole Step Female Full Demo

2-08 Ex 3 Note Delineation Up a Half Step 1

2-09 Ex 3 Notes Delineation up a Half Step Male Full demo

2-10 Ex 3 Notes Delineation up a Half-Step Female Full Demo

2-11 Ex 4 Note Definition Down a Half Step

2-12 Ex4 Note Delineation Down a Full Step Male Demo

2-13 Ex4 Note Delineation Down to a Half Step Female Full Demo

2-14 Ex 5 Same Note (Unison) Delineation 1

2-15 Ex 5 Male Full Demo

2-16 Ex 5 Same Note (Unison), Delineation Female, Full Demo

2-17 Ex 6 Downward Triplet Trill Trill on Ooh Ah Ah 1

2-18 Ex 6 Downward Triplet Trill On Ooh Ah Ah Male Full Demo

2-19 Ex 6 Downward Trill on Ooh Oh Ah Female Full Demo

2-20 Ex 7 Upward Triplet Trill On Ooh Ah Ah 1

2-21 Ex 7 Full Demo on Ooh Ah Ah Male Triplet Trill

2-22 Ex 7 Full Demo on Ooh Ah Ah Female Triplet Trill

2-23 Ex 8 Descending Triplets Tempo Slow to Fast 1

2-24 Ex 8 Descending Triplets Fast to Slow Tempo Male Full Demo

2-25 Ex 8 Descending triplets slow to fast female full demo

2-26 Ex 9 Ascending Triplets Tempo Slow to Fast 1

2-27 Ex 9 Ascending Triplets Fast to Slow Tempo Male Full Demo

2-28 Ex 9 Ascending triplets slow to fast tempo female full demo

2-29 Ex 10 Oh To oo Bagpipe Groove Triplets

2-30 Ex 10 Oh To oo Bagpipe Groove Triplets Men Full Demo

2-31 Ex 10 Oh To oo Bagpipe Groove Triplets for Female Full Demo

2-32 Conclusion 1

Style 2 – Discovering Advanced Licks, Trills, & Runs

3-01 Introduction and Objectives

3-02 Ex 1 Warmup with Trills

3-03 Ex 1 Warmup With Trills Male Full Demo

3-04 Ex 1 Warmup With Trills Female Full Demo

3-05 Ex 2 Major Pentatonic Pattern 1

3-06 Ex 2 Major Pentatonic Male Pattern Full Demo

3-07 Ex2 Major Pentatonic Feminine Full Demo

3-08 Ex 3 Minor Pentatonic Pattern 1

3-09 Ex3 Minor Pentatonic Female Full Demo

3-10 Ex3 Minor Pentatonic Model Female Full Demo

3-11 Ex 4 Minor Pentatonic Pattern Over Major Chords 1

3-12 Ex4 Minor Pentatonic Model Over Major Chords Men Full Demo

3-13 Ex 4 Minor Pentatonic Style Over Major Chords Female Full Demo

3-14 Ex 5 Harmonic minor Run 1

3-15 Ex 5 Harmonic Male Run Full Demo

3-16 Ex-5 Harmonic Minor Run Full Demo

3-17 Ex 6 Not Bend Up and Triplet Down, then Note bend Down and Triplet up 1

3-18 Ex 6 Full Demo – Note Bend Up and Triplet down, then Note Bend Up and Triplet up Male

3-19 Ex 6 Note Bend up and Triplet down then Note Bend Down, Triplet Up Female Full Demo

3-20 Ex 7 Upward Pentatonic, Descending Chromatic Scale 1.

3-21 Ex 7 Upward Pentatonic then Descending Chrommatic Scale Male Full Dem

3-22 Ex 7 Faster upward Pentatonic and Descending Chromatics Scale Advanced Male Full Demo

3-23 Ex 7 Upward Pentatonic and Descending Chromatic Female Full Demo

3-24 Ex 7 Faster upward Pentatonic than Descending Chrommatic Scale Advanced Female full Demo

3-25 Conclusion 1

Style 3: Discovering Your Sound

4-01 Introduction and Objectives

4-02 Ex 1 Vocal Texture: From Breathy To Edgy

4-03 Ex 1 Vocal Texture: From Breathy To Edgy Male Demo

4-04 Ex 1 Vocal Style From Edgy to Breathy for Female Demo

4-05 Ex 1 Buh, Vuh Variation

4-06 Ex 1 Buh & Vuh Male Demo

4-07 Ex 1 Buh & Vuh Female Demo

4-08 Ex 1 Instruction for Your Turn

4-09 Ex 1 Breathy-to-Edgy and Buh Vih Male Version

4-10 Ex 1 Breathy to Edgy & Buh Vuh Female Version

4-11 Ex 2 Tonal Diversity Naal to DeNasal

4-12 Ex 2 Tonal Diversity Nasal to DeNasal Male Demo

4-13 Ex 2 Tonal Diversity Female Demo

4-14 Ex2 Buh and Nuh Demo Explanation

4-15 Ex 2 Buh and nuh Male Demo

4-16 Ex 2 Buh and nuh Female Demo

4-17 Ex. 2 Instructions for Your Turn

4-18 Ex 2 Male Version Buh and Nuh

4-19 Ex 2 Buh & Nuh Female Version

4-20 Ex 3 Low Vs High Larynx

4-21 Ex 3 Low vs. High Larynx Male Demo

4-22 Ex 3 Female Demo of the High vs Low Larynx

4-23 Ex 3 Instructions for Your Turn

4-24 Ex 3 Low vs. High Larynx Male Version

4-25 Ex 3 Female Version Low vs. High Larynx

4-26 Ex 4 Relaxed Falsetto

4-27 Ex 5 Nasal Falsetto

4-28 Ex 6 Clear Falsetto

4-29 Ex 7 Phrasing With or Without Vibrato

4-30 Ex 7 Excessive Vibrato Explanation

4-31 Ex 7 Excessive Vibrato Male Demo

4-32 Ex 7 Excessive Vibrato Female Demo

4-33 Ex 7 No Vibrato Explanation

4-34 Ex 7 No Vibrato Male Demo

4-35 Ex 7 No Vibrato Female Demo

4-36 Ex 7 Tasteful Vibrato Male Demo

4-37 Ex 7 Tasteful Vibrato Female Demo

4-38 Ex 7 Instructions For Your Turn

4-39 Ex 7 Phrasing With and Without Vibrato Male Version

4-40 Ex 7 Phrasing With and Without Vibrato Female Version

4-41 Ex 8 A Tasteful Use Of Vibrato in the Album Version of Next to You

4-42 Ex 9 Application for Different Styles

4-43 Ex 9 Pop Demo

4-44 Ex 9 Jazz Demo

4-45 Ex 9 Rock Demo

4-46 Ex 9 Pop Your Turn

4-47 Ex 9 Jazz Your Turn

4-48 Ex 9 Rock Your Turn

4-49 Conclusion

Style 4 – Discovering Stilistic Subtleties

5-01 Introduction and Objectives

5-02 Ex 1 Licks Trills & Runs

5-03 Ex 1 Licks Trills Male and Female Demos

5-04 Ex 1 Trills Runs and Licks Key to G Version

5-05 Ex1 Licks Trills Runs Key to D Version

5-06 Ex 2. Using Vocal Fry Glottal Strokes & Flips into Falsetto

5-07 Ex 2 Vocal Fry Glottal Strokes and Flips Into Falsetto Demo

5-08 Ex 2 Vocal Fry Glottal Strokes and Flips Into Falsetto It’s Your Turn

5-09 Ex 3 Phrasing

5-10 Ex 3 Spokenlyric Male and Female Demos

5-11 Ex 3 What should you listen to in the Phrasing demos

5-12 Ex 3 Phrasing Demo 1

5-13 Ex 3 Phrasing Demo 2

5-14 Ex 3 Phrasing Demo 3

5-15 Ex-3 Phrasing Track 1 to Your Turn

5-16 Ex 3 Phrasing track 2 for Your Turn

5-17 Ex 3 Phrasing Tracks 3 for Your Turn

5-18 Ex4 Articulation Tour

5-19 Ex 5. Applying Articulation

5-20 Ex 5 Male Demo Spoken Lyric 1

5-21 Ex 5 Male Demo Sung Lyric 1

5-22 Ex 5 Female Demo Spoken Song 1

5-23 Ex 5 Female Demo Sung Lyric 1

5-24 Ex 5 Male Demo Spoken Lyric 2

5-25 Ex 5 Male Demo Sung Lyric 2

5-26 Ex 5 Female Demo Spoken Lyric 2.

5-27 Ex 5 Female Demo Sung Lyric 2

5-28 Ex 5 Key of the E Version Your Turn

5-29 Ex 5 Key to C Version Your Turn

5-30 Ex 5 Original Demo

5-31 Conclusion

Style 5 – Discovering musical genres

6-01 Introduction and Objectives

6-02 Ex 1 Male Demo

6-03 Ex 1 Male Classical Brett Explanation

6-04 Ex 1 Female Demo

6-05 Ex 1 Female Classical Brett Explanation

6-06 Ex 1 Classical version Your Turn

6-07 Ex2 Male Musical Theatre Demo

6-08 Ex 2 Male Musical Theater Brett Explanation

6-09 Ex 2 Female Musical Theatre Demo

6-10 Ex2 Female Musical Theatre Brett Explanation

6-11 Ex 2 Male Musical Theater Version Your Turn

6-12 Ex2 Female Musical Theatre Version It’s Your Turn

6-13 Ex 3 Male Folk Demo

6-14 Ex 3 Male Folk Brett Explanation

6-15 Ex 3 Female Folk Demo

6-16 Ex-3 Female Folk Brett Explanation

6-17 Ex 3 Folk Version Your Turn

6-18 Ex 4 Male Blues Demo

6-19 Ex 4 Male Blues Brett Explanation

6-20 Ex4 Female Blues Demo

6-21 Ex4 Female Blues Brett Explanation

6-22 Ex 4 Blues Version Your Turn

6-23 Ex 5 Male Gospel Demo

6-24 Ex 5 Male Gospel Brett Explanation

6-25 Ex 5 Female Gospel Demo

6-26 Ex 5 Female Gospel Brett Explanation

6-27 Ex 5 Male Gospel Version Your Turn

6-28 Ex 5 Female Gospel Version Your Turn

6-29 Ex 6 Male Jazz Demo

6-30 Ex 6 Male Jazz Brett Explanation

6-31 Ex 6 Female Jazz Demo

6-32 Ex 6 Female Jazz Brett Explanation

6-33 Ex 6 Male Jazz Version Your Turn

6-34 Ex6 Female Jazz Version Your Turn

6-35 Ex 7 Male R&B Demo

6-36 Ex 7 Male R&B Brett Explanation

6-37 Ex 7 Female R&B Demo

6-38 Ex 7 Female R&B Brett Explanation

6-39 Ex 7 Male R&B Version Your Turn

6-40 Ex 7 Female R&B Version Your Turn

6-41 Ex 8 Male Country Demo

6-42 Ex 8 Male Country Brett Explanation

6-43 Ex 8 Female Country Demo

6-44 Ex 8 Female Country Brett Explanation

6-45 Ex-8 Male Country Version Your Turn

6-46 Ex 8 Female Version Your Turn

6-47 Ex 9 Male Rock Demo

6-48 Ex 9 Male Rock Brett Explanation

6-49 Ex 9 Female Demonstration Rock Demo

6-50 Ex 9 Female Music Brett Explanation

6-51 Ex 9 Rock Version Your Turn

6-52 Ex 10 Male Pop Demo

6-53 Ex 10 Male Pop Brett Explanation

6-54 Ex-10 Female Pop Demo

6-55 Extensive 10 Female Pop Brett Explanation

6-56 Ex 10 Male Pop Version Your Turn

6-57 Ex 10 Female Pop Version Your Turn

6-58 Conclusion

Style 6 – Discovering Improvisation

7-01 Introduction and Objectives

7-02 Introduction to Left Right Brain

7-03 Left Right Brain Excercise

7-04 Introduction to Chord Progression

7-05 Y2K Pop Demo 1

7-06 Y2K Pop Demo 2

7-07 Y2K Pop Demo 3

7-08 Y2KPop Now It’s Your Time

7-09 Pop Country Demo 1

7-10 Pop Country Demo 2

7-11 Pop Country Demo 3

7-12 Pop Country Now It is Your Turn

7-13 Old Soul Demo 1

7-14 Old Soul Demo 2

7-15 Old Soul Demo 3

7-16 Old Soul, Now it’s Your Turn

7-17 50’s Rock Demo 1

7-18 50’s Music Demo 2

7-19 50’s Music Demo 3

7-20 50’s Pop Now it’s Your Turn

7-21 Traditional Country Demo 1

7-22 Traditional Country Demo 2

7-23 Traditional Country Demo 3

7-It’s your turn to represent a traditional country.

7-25 Conclusion

Style 7 – Discovering the X Factor

8-01 Introduction & Objectives

8-02 Audio Masterclass Introduction and Warm-Up

8-03 Male Pop Singer

8-04 Female Rock Singer

8-05 Male Country Singer

8-06 Female Country Singers

8-07 Conclusion

SS360 (Bonus Content)

Download immediately Brett Manning – Singing Success 360

Resonance Demonstration video (2:36)

Larynx Position Demonstration video (3:58).

Video Explanation of the Outer Muscles in the Larynx (5.49)

Soft Palate Explanation Video (1.57)

Video Demonstration of Lip Rolls (3:28).

SS360 Tech 2 Video Lesson (with Shelby Rollins), (11:14).

Closed ‘B’ Demonstration video (2:17).

Tongue Trills (3.41)

Video (4:03). Dampening of the Vocal Cords

Vowel Shapes (4.07)

Most Frequently Asked Questions

What time does the course and end?
You decide when the course ends. You determine your pace. Many of our students never stop practicing. Your voice will only improve with practice. The more you do the program, you will sound better. You’ll be able to go through your favorites exercises before you do them.
What length of access do I have to the course?
The streaming version is only $30 per monthly — Just a dollar per daily to train your voice! Access is available as long as you have a membership.
What if I’m not satisfied with the course?
We will give you a full refund if you are not satisfied with the course within 7 days of your purchase. You can cancel your membership anytime within your account details if you don’t feel that you have received the full value of our program.

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